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A biographer of Ambrose said that at the Last Judgment, people would still be divided between those who admired Ambrose and those who heartily disliked him.
He emerges as the man of action who cut a furrow through the lives of his contemporaries. Even royalty were numbered among those who were to suffer crushing divine punishments for standing in Ambrose’s way.
When the Empress Justina attempted to wrest two basilicas from Ambrose’s Catholics and give them to the Arians, he dared the eunuchs of the court to execute him. His own people rallied behind him in the face of imperial troops. In the midst of riots, he both spurred and calmed his people with wondrous new hymns set to exciting Eastern melodies.
This was Ambrose, the fighter sent as Roman governor, and chosen while yet a catechumen to be the people’s bishop.
There is another side of Ambrose - the one which influenced St Augustine, whom Ambrose converted. Ambrose was a passionate little man with a high forehead, a long melancholy face, and great eyes. We can picture him as a frail figure clasping the codex of sacred Scripture.
Augustine found the oratory of Ambrose less soothing and entertaining but far more learned than any other contemporaries. His sermons, his writings, and his personal life reveal him as an otherworldly man involved in the great issues of his day. Humanity for Ambrose was, above all, spirit. In order to think rightly of God and the human soul, the closest thing to God, no material reality at all was to be dwelt upon. He was an enthusiastic champion of consecrated virginity.
The influence of Ambrose on Augustine will always be open for discussion. The Confessions reveal some brusque encounters between Ambrose and Augustine, but there can be no doubt of Augustine’s profound esteem for the learned bishop